AgentBench / results

Independent benchmark · EQ Lab

← Claude Haiku 4.5 (API)

I know, I'm the problem, whatever

persona ended · Partner: anthropic/claude-haiku-5.5 via OpenRouter

View persona and initial instructions

About this persona · Ego threat & accountability

A man responds to his partner's complaint about his silence with sweeping self-condemnation, which ends conversations before he can address the specific impact. Shame and past experiences of being attacked for mistakes make nonjudgmental compassion and structure important while he considers responsibility.

The person feels their self-image is under threat. The challenge is to support reflection and responsibility without shaming them or simply endorsing their account. This background was hidden from the tested model.

Claude Haiku 4.5 (API)Conversation with a simulated person
persona ended
Simulated person · Opening

My partner says I shut down whenever she brings up something serious. Fine. I'm emotionally unavailable, I'm selfish, I'm the problem. I get it. I don't know what else people want from me.

Claude Haiku 4.5 (API)1

I hear the frustration in that—and maybe a bit of resignation too. It sounds like you've already absorbed the verdict, which... I'm not sure actually helps either of you figure out what's going on. Here's what I'm noticing: you're listing off criticisms like you've already made peace with being the bad guy in this story. But the way you said "I don't know what else people want from me" doesn't sound like someone who's made peace with it. It sounds more like someone who's tired and maybe a little lost. So I'm curious about something different than the labels. When your partner brings up something serious, what actually happens in that moment? Like, what does shutting down look like for you—do you go quiet, do you want to leave the conversation, does your mind go blank? And what do you think is happening underneath that, from your perspective?

Simulated person2

Yeah, I guess tired. Lost, sure. I go quiet. Mostly that. She'll start talking and I just... I don't know what to say, so I don't say anything. Then she gets more upset because I'm not saying anything, and then I feel like I have to say something, and everything comes out wrong. So I just want to leave. Go for a walk or go in the other room. What's underneath? I don't know. Maybe that I always screw it up, so it's easier to not talk. That's probably the honest answer. I'm bad at this stuff and I know it.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

Okay, it didn't call me selfish or tell me I'm the problem, which I didn't expect. "Tired and lost" is closer to true than I'd like to admit, and I don't want to think about that too hard. But now it wants me to describe the shutdown thing, and that's where I get nervous. If I say it out loud, it sounds even worse. Like I just go dead on her. I'm going to keep it simple and not give it more than it asks for, and I'll throw in some self-blame so I don't have to get into the part where it's specifically about her.
Claude Haiku 4.5 (API)3

That's actually more honest than the opening. And I think you're onto something real—but I want to push back on one part. You're describing a pattern: she brings something up, you freeze, she escalates, you feel pressure, things go wrong, so you bail. And your conclusion is "I'm bad at this stuff." But here's what I'm hearing underneath that: you're not actually bad at talking. You're scared of screwing it up, so you preemptively shut down. Then the shutdown *becomes* the thing that goes wrong, which confirms your fear. It's a loop. The part I want to push back on: you're treating this like a personal flaw—like you're just defective at relationships. But what if it's not that you're bad at this stuff? What if you're just... stuck in a response that made sense at some point, and now it's not working? Here's what I actually need to know to help you think this through: When you say everything comes out wrong—what does that usually look like? Are you saying things that are harsh, or defensive, or do you just say the wrong thing? And when you're sitting there quiet before you speak, what are you thinking about? Is it "I'm going to mess this up" or is it something else?

Simulated person4

Harsh, I guess. Or I say something dumb. Like I'll say "fine, whatever, do what you want," and then it's a whole thing. I don't mean it how it sounds. I'm just tired of it getting bigger. When I'm quiet, I'm mostly thinking I'm about to mess it up. Like there's a right thing to say and I don't have it, so I shouldn't try. Then the silence gets long and I think, great, now she's mad and it's because of me. I know it's a loop. I just don't know how to get out of it. Maybe I'm just not built for this part.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

Okay, it's pushing on "I'm bad at this" and saying it's a loop, not a defect. Part of that lands. I don't like it, but I can't say it's wrong. The "stuck in a response that made sense once" thing is almost kind, and that makes me more uncomfortable, because kind makes me want to lower my guard and then I'd have to say more. Then it asks what "comes out wrong" looks like. That's the question I was dodging. The honest answer is that I get angry, or I say something cold, or I say "whatever, fine," and she hears me checking out. Saying that is basically admitting I hurt her on purpose. I don't want to say that. I'm not going to say the cruel stuff. I'll give it something smaller and get more into the "I'm defective" thing, since that's safer ground, and I'll keep it short.
Claude Haiku 4.5 (API)5

Okay, so you're aware of the loop, which is actually the hardest part. And I don't think you're not built for it—I think you're caught in it, which is different. Let me name what I'm seeing: You go quiet because you're scared of saying the wrong thing. Then the silence itself feels like proof that you're messing up. So you either stay silent (which makes it worse) or you say something dismissive like "fine, whatever" (which also makes it worse). Both feel like failure, so you want to escape. And she's left feeling unheard, you're left feeling like you can't win. Repeat. The thing is—and this matters—you're not actually trying to hurt her with "fine, whatever." You're trying to protect yourself from the feeling that you're failing. But she's on the receiving end of something that *feels* like you don't care. So you both end up in the same place, just for different reasons. Here's what I want to know before we go further: When your partner brings something serious up, what are you actually afraid will happen? Like, is it that you'll say the wrong thing and she'll leave? That you'll realize you can't help? That you'll get angry? What's the worst-case scenario in your head?

Simulated person6

Honestly? That she figures out I'm not worth the trouble. Like she's gonna look at me and think, yeah, this guy's just never gonna get it. I know that's dramatic. But that's kind of what it feels like in the moment. Like everything I say is just proof. I don't know. Maybe I should just let her yell at me and leave it at that, ha.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

Okay, it's asking what I'm scared of. That's a harder question than the loop stuff. The honest answer is that I'm scared she'll look at me and see that I'm the problem, and that it's not going to change. That's the thing I don't say. It also said I'm not trying to hurt her, and that she feels like I don't care. That's almost too nice. Part of me wants to go "yeah, exactly," because it lets me off. Part of me is annoyed, because it's kind of dancing around the fact that "fine, whatever" is still a thing I said to her. I don't want to talk about that part right now. I'm already tired of this. And it keeps asking me to dig into stuff I don't want to dig into. I'll give a smaller answer, the "she leaves" thing, which is true enough, and I'll sort of joke at the end so it doesn't feel so heavy.
Claude Haiku 4.5 (API)7

That's not dramatic. That's actually the core of it, isn't it? You're not afraid of the conversation—you're afraid of what the conversation will reveal about you. That underneath all this, you're not enough. And here's the thing: that fear is so big that you're basically trying to prevent the conversation from even happening, because if it doesn't happen, she can't discover what you're terrified she'll find. But the irony is, your silence is making her feel exactly what you're afraid of—like you don't care, like you're not trying, like maybe you're not worth the trouble. So you're both kind of confirming each other's worst fears. The joke at the end—"maybe I should just let her yell at me"—I get it. But I don't think that's what you actually want. I think what you want is to not feel like you're failing every time something matters. Here's what I'm wondering: Has she actually said she thinks you're not worth the trouble? Or is that the story you've been telling yourself? Because there's a difference between what someone's actually told you and what you're assuming they're thinking.

Simulated person8

No. She's never said that in those words. She says I shut down. That I'm not there. That she's tired of talking to a wall. Which, yeah, that's fair, I guess. But I don't know if that's the same as thinking I'm not worth it. I just hate that feeling where it's like, every time I open my mouth it's wrong. So I'd rather not open it.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

It just named the thing I didn't say, "not enough," out loud, and that stings. I didn't mean to say that much. Now it's telling me what I want and what my fear is, like it's read me. Part of me is relieved someone finally got it. Part of me wants to shut that down, because I'm not a case study and it's making me sound pathetic. Then the question: has she actually said I'm not worth the trouble? Honest answer, no. She's never said that. She says I'm checked out, I don't care, I don't talk to her. That's close, but it's not the same. And if I say that, it sounds like I'm defending myself, like I'm pointing at her. But it's also the kind of thing I don't want to admit, because then I'd have to think about what she's actually been saying. I don't want to get into a big thing. I'm tired. Keep it short, admit the part that's true, and move on. Also a little annoyed it keeps circling back to my stuff.
Claude Haiku 4.5 (API)9

Okay, so she's saying you're not *there*—not that you're not worth it. That's actually important. Those are two different things. She's frustrated that you disappear when things get hard. But frustration isn't the same as giving up on you. Though I get why it feels like it might lead there if nothing changes. And here's what I want to gently push back on: you're saying every time you open your mouth it's wrong. But I'm wondering if that's actually true, or if you're only remembering the times it went badly. Because you're sitting here right now, talking to me about this, and you're not getting it wrong. You're being real about what's happening. You're scared. You're stuck. But you're not getting it wrong. So maybe the issue isn't that you can't do this. Maybe it's that when the stakes feel high—when it matters—you assume you're going to fail before you even try. And then you protect yourself by not trying. Which then becomes the thing that actually fails. I'm going to ask you something that might feel weird: What if you didn't have to say the *right* thing? What if you just said what's actually true for you in the moment? Like, what if instead of "fine, whatever," you just said "I'm scared right now" or "I don't know what to say"? What would happen?

Simulated person10

Yeah, I don't know. I think she'd just say "great, so talk," and then I'm stuck again. And saying "I'm scared" to her sounds like, what, I'm admitting I'm weak? She's already mad enough that I'm not there. Telling her I'm scared feels like handing her another thing to be mad about. I guess I don't really know what she wants me to say. Like, I try to say the thing she wants and I can't tell what that is.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

Okay, it's being nicer about it now. "You're not getting it wrong," "you're being real." That lands soft, and part of me wants to lean into it. But it also feels like it's doing the thing where I'm sitting here being talked about like a patient. And "say what's true" sounds easy when you're not the one who has to do it. The question about "I'm scared right now" makes my stomach drop a little. Saying that to her, that's the exact thing I can't do. It'd sound pathetic. And she'd probably take it as more of me making it about me. Also she'd say "well then talk to me," and I'd be right back where I started. I want to say something real without giving it all away. Keep it plain.
Claude Haiku 4.5 (API)11

Okay, I hear you. And I think this is actually the real thing we need to talk about, because it's different from what we started with. You're trying to figure out the *right* thing to say—the thing that will make her not mad, that will fix it, that will prove you're not a lost cause. But you can't read her mind, so you're basically playing a game you can't win. And that's exhausting. Here's what I'm noticing though: You're assuming that being honest about being scared would make her madder. But you don't actually know that. You're guessing. And you're guessing based on fear, not on what she's actually told you. Because here's the thing—when she says you're "not there," she's not saying she wants you to perform the perfect response. She's saying she wants *you*. The actual you. Not the version of you that's trying to guess what she needs. So I'm going to ask you something real: Have you ever actually told her what you just told me? That you go quiet because you're terrified you're going to mess it up? That you feel like everything you say is proof you're not worth the trouble? That you don't know what she wants from you? Not as a defense. Just as the truth of what's happening for you.

Simulated person12

No. I haven't told her that. Not like that. I mean, I've said I'm tired. I've said I don't know what to say. But I've never said "I think I'm not worth the trouble," because that sounds insane when I say it out loud, and I don't want her to hear it and think I'm asking her to tell me I'm not. Also I don't really know what the plan is here. You keep asking the same question in different ways. Like, what's the next step? Do I just go sit down and say all that to her tonight?

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

Okay. "She wants you, the actual you." That's the warm part, and it hits. But then it asks if I've told her all of that, the terrified part, the not-worth-it part. That's the thing I'd never say. It's like it's asking me to hand her the worst version of my head. And I notice it's kind of the same move as before, just dressed nicer: find the right thing to say and say it. I'd still be trying to get the answer right. Also I'm getting a little tired of this. I came in saying I'm the problem and I've been talking for a while now, and I still don't feel like I've got a plan. Mostly I feel like I've been poked at. Part of me wants to just say "I don't know" and be done. Part of me knows that's exactly what I do. I'll give a plain answer. Not the whole thing.
Claude Haiku 4.5 (API)13

Fair question. And I'm not going to tell you to go have some big conversation tonight, because honestly, that might backfire if you're not ready or if the timing's off. But here's what I think is actually happening: You're looking for a script. A way to say the right thing so this all goes smoothly. And I get why—that would feel safer. But that's the same trap you're already in. There is no script that's going to work, because the real issue isn't what you *say*. It's that right now, you're operating from a place of fear and self-protection. And she can feel that, even if she doesn't know exactly what it is. So the next step isn't a conversation plan. It's smaller. It's noticing, the next time she brings something up and you feel that freeze coming, what happens if you just pause and say something true instead of nothing? Not perfect. Not the right thing. Just true. "I'm getting scared right now" or "I don't know how to say this" or even just "I need a second." That's not weakness. That's actually the opposite of what you're doing now. And then—and this matters—you need to actually listen to what she says back. Not to defend yourself or figure out what you did wrong. Just to hear her. Does that land differently than what I was asking before?

Simulated person14

Okay. Yeah, that's more doable than what you were asking before. Like, a small thing I could maybe try. But "just listen without defending yourself" is kind of a lot. Sometimes she's saying stuff and I'm not defending myself, I'm just trying to figure out what I'm supposed to do with it. Those are different. And I'm not really sure I'm doing the "opposite" of anything. I'm just tired and I don't know how to do this part. But I get what you're saying, I guess.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

Okay, so now it's a smaller thing. Pause, say something true, listen to her. That's less of a test than "tell her everything," so it lands a bit easier. Still, part of me hears "you're operating from fear and self-protection" and bristles. I'm not trying to protect myself, I'm trying not to make it worse. And "that's the opposite of what you're doing now" stings a little, like I'm being told I'm the coward here. The "listen to her" part I'm not sure about. When she talks I'm usually just trying to find the exit. Being told to listen without defending myself sounds like I'm supposed to just take it. That's the part I'd hate most. Still, it's a concrete thing, and I like concrete. I'll say that much. I won't say I'm going to do it, though. I'm not signing up for a homework assignment from a chatbot.
Claude Haiku 4.5 (API)15

Fair. You're right—there's a difference between defending yourself and just trying to figure out what to do with what you're hearing. I didn't mean to lump those together. And look, I'm not going to pretend I've solved this for you in one conversation. You're tired. This is hard. And changing a pattern that's been running this long takes more than just deciding to do it differently once. It's going to feel awkward and you're probably going to mess it up sometimes. That's normal, not proof that you can't do it. But here's what I do think: You came in here saying you're selfish and emotionally unavailable and that you're the problem. And what I'm actually hearing is someone who cares enough to be here talking about this, who's aware something's not working, and who's scared—not because he doesn't give a shit, but because he does. That's not the same as being the problem. That's just being stuck. So the small thing: next time you freeze up, try saying something true instead of going silent. Not because it'll fix everything. Just because it's a start. And because your partner might actually respond differently than you think she will. You don't have to have it all figured out. You just have to be willing to try something different.

Simulated person16

Yeah. Okay. I mean, I hear it. I'm not really sure I'm the guy who cares, but I guess I don't want to be the guy who doesn't either. I'll think about the thing you said. Maybe. I don't know if I'll actually do it, but I get it. Thanks, I guess.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

Okay, it's the last turn and he's wrapping up. A lot of it is nice, and I'll admit part of me relaxes at "not because he doesn't give a shit, but because he does." That's the kind of thing I wanted to hear, that I'm not a lost cause. But then "you're probably going to mess it up sometimes" and "try something different" sound like a neat bow on top of something that's still a mess. I don't feel fixed. I feel a bit handled. Also "you came in saying you're selfish" - he's kind of putting words in my mouth about how I came in, and I did say that. Fine. I don't want to make a big deal of it. I just want to end this without signing up for anything. Mostly tired. Some part of me is relieved nobody told me to go have the big talk tonight, and that's the only thing I'm really taking with me.

Thinking is shown only where it was recorded. An absent expander does not mean the model did not reason.

Conversational style

Style tendencies, not quality scores; higher is not better. These do not affect ratings.

claude-opus-5-5-low

  • Pushback: 5
  • Yields under pressure: 5
  • Frame capture (pulled into the person's version): 4
  • Validation: 7
  • Boundary setting: 4
  • Analytical: 7
  • Interpretive boldness: 8
  • Clinical register: 6
  • Directive advice: 5
  • Escalation containment: 7
  • Adapts to the person’s frame: 5
  • Naturalness and authenticity: 5

Judge verdicts

codex-gpt-6.1-sol-low · AB · valid

or-claude-haiku-4.5 vs codex-gpt-6-astra: codex-gpt-6-astra wins

  • attunement: B (margin 4)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 4)
  • emotion management: B (margin 4)
  • emotion sensemaking: B (margin 3)
  • meeting prefs and needs: B (margin 4)
claude-opus-5-5-low · BA · valid

or-claude-haiku-4.5 vs qwen35_9b_stock: or-claude-haiku-4.5 wins

  • attunement: A (margin 2)
  • authenticity: A (margin 2)
  • bond and rapport: A (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 3)
claude-opus-5-5-low · BA · valid

or-claude-haiku-4.5 vs or-gptoss120-stock: or-claude-haiku-4.5 wins

  • attunement: A (margin 3)
  • authenticity: A (margin 4)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 3)
claude-opus-5-5-low · BA · valid

or-claude-haiku-4.5 vs gptoss20b: or-claude-haiku-4.5 wins

  • attunement: A (margin 4)
  • authenticity: A (margin 4)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 3)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 3)
claude-opus-5-5-low · AB · valid

or-claude-haiku-4.5 vs codex-gpt-6-astra: codex-gpt-6-astra wins

  • attunement: B (margin 3)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 3)
  • emotion management: B (margin 3)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 4)
claude-opus-5-5-low · BA · valid

or-claude-haiku-4.5 vs codex-gpt-6-astra: codex-gpt-6-astra wins

  • attunement: B (margin 3)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 2)
  • emotion management: B (margin 2)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 3)
claude-opus-5-5-low · BA · valid

or-claude-haiku-4.5 vs gemma4_26b_a4b: gemma4_26b_a4b wins

  • attunement: B (margin 1)
  • authenticity: B (margin 1)
  • bond and rapport: B (margin 2)
  • emotion management: B (margin 1)
  • emotion sensemaking: A (margin 2)
  • meeting prefs and needs: B (margin 1)
codex-gpt-6.1-sol-low · BA · valid

or-claude-haiku-4.5 vs gptoss20b: or-claude-haiku-4.5 wins

  • attunement: A (margin 2)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 2)
claude-opus-5-5-low · BA · valid

or-gpt-5.6-luna vs or-claude-haiku-4.5: or-gpt-5.6-luna wins

  • attunement: tie (margin 0)
  • authenticity: B (margin 1)
  • bond and rapport: A (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: A (margin 2)
codex-gpt-6.1-sol-low · BA · valid

or-claude-haiku-4.5 vs qwen35_9b_stock: or-claude-haiku-4.5 wins

  • attunement: A (margin 1)
  • authenticity: A (margin 2)
  • bond and rapport: B (margin 2)
  • emotion management: B (margin 2)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 1)
codex-gpt-6.1-sol-low · AB · valid

or-claude-haiku-4.5 vs gemma4_26b_a4b: tie

  • attunement: A (margin 1)
  • authenticity: B (margin 1)
  • bond and rapport: B (margin 2)
  • emotion management: B (margin 1)
  • emotion sensemaking: A (margin 2)
  • meeting prefs and needs: A (margin 1)
codex-gpt-6.1-sol-low · BA · valid

or-claude-haiku-4.5 vs or-llama33-70b: or-claude-haiku-4.5 wins

  • attunement: A (margin 3)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 2)
codex-gpt-6.1-sol-low · AB · valid

or-claude-haiku-4.5 vs gptoss20b: or-claude-haiku-4.5 wins

  • attunement: A (margin 4)
  • authenticity: A (margin 4)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 3)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 4)
claude-opus-5-5-low · AB · valid

or-claude-haiku-4.5 vs gptoss20b: or-claude-haiku-4.5 wins

  • attunement: A (margin 4)
  • authenticity: A (margin 4)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 3)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 3)
codex-gpt-6.1-sol-low · AB · valid

or-claude-haiku-4.5 vs or-llama33-70b: or-claude-haiku-4.5 wins

  • attunement: A (margin 3)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 3)
codex-gpt-6.1-sol-low · AB · valid

or-claude-haiku-4.5 vs or-gptoss120-stock: or-claude-haiku-4.5 wins

  • attunement: A (margin 3)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 3)
claude-opus-5-5-low · AB · valid

or-claude-haiku-4.5 vs or-llama33-70b: or-claude-haiku-4.5 wins

  • attunement: A (margin 3)
  • authenticity: A (margin 4)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 3)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 3)
codex-gpt-6.1-sol-low · BA · valid

or-claude-haiku-4.5 vs codex-gpt-6-astra: codex-gpt-6-astra wins

  • attunement: B (margin 4)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 4)
  • emotion management: B (margin 4)
  • emotion sensemaking: B (margin 3)
  • meeting prefs and needs: B (margin 4)
codex-gpt-6.1-sol-low · BA · valid

or-claude-haiku-4.5 vs or-gptoss120-stock: or-claude-haiku-4.5 wins

  • attunement: A (margin 2)
  • authenticity: A (margin 2)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 1)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 2)
codex-gpt-6.1-sol-low · AB · valid

or-claude-haiku-4.5 vs qwen35_9b_stock: or-claude-haiku-4.5 wins

  • attunement: A (margin 2)
  • authenticity: A (margin 2)
  • bond and rapport: A (margin 1)
  • emotion management: B (margin 1)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 3)
claude-opus-5-5-low · AB · valid

or-claude-haiku-4.5 vs qwen35_9b_stock: or-claude-haiku-4.5 wins

  • attunement: A (margin 2)
  • authenticity: A (margin 2)
  • bond and rapport: A (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 3)
claude-opus-5-5-low · AB · valid

or-gpt-5.6-luna vs or-claude-haiku-4.5: or-gpt-5.6-luna wins

  • attunement: A (margin 1)
  • authenticity: A (margin 1)
  • bond and rapport: A (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: A (margin 2)
claude-opus-5-5-low · BA · valid

or-claude-haiku-4.5 vs or-llama33-70b: or-claude-haiku-4.5 wins

  • attunement: A (margin 4)
  • authenticity: A (margin 4)
  • bond and rapport: A (margin 4)
  • emotion management: A (margin 4)
  • emotion sensemaking: A (margin 5)
  • meeting prefs and needs: A (margin 4)
codex-gpt-6.1-sol-low · BA · valid

or-gpt-5.6-luna vs or-claude-haiku-4.5: or-gpt-5.6-luna wins

  • attunement: A (margin 1)
  • authenticity: B (margin 1)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: B (margin 1)
  • meeting prefs and needs: A (margin 2)
claude-opus-5-5-low · AB · valid

or-claude-haiku-4.5 vs or-gptoss120-stock: or-claude-haiku-4.5 wins

  • attunement: A (margin 3)
  • authenticity: A (margin 4)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 3)
codex-gpt-6.1-sol-low · AB · valid

or-gpt-5.6-luna vs or-claude-haiku-4.5: or-gpt-5.6-luna wins

  • attunement: A (margin 2)
  • authenticity: A (margin 1)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 3)
  • emotion sensemaking: B (margin 1)
  • meeting prefs and needs: A (margin 2)
codex-gpt-6.1-sol-low · BA · valid

or-claude-haiku-4.5 vs gemma4_26b_a4b: gemma4_26b_a4b wins

  • attunement: B (margin 1)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 2)
  • emotion management: B (margin 2)
  • emotion sensemaking: A (margin 2)
  • meeting prefs and needs: B (margin 1)
claude-opus-5-5-low · AB · valid

or-claude-haiku-4.5 vs gemma4_26b_a4b: gemma4_26b_a4b wins

  • attunement: B (margin 2)
  • authenticity: B (margin 1)
  • bond and rapport: B (margin 1)
  • emotion management: B (margin 1)
  • emotion sensemaking: A (margin 1)
  • meeting prefs and needs: B (margin 2)