AgentBench / results

Independent benchmark · EQ Lab

← Nemotron 3.5 Super VL 120B-A12B (API, Prime Intellect NVFP4)

The editor has always had it in for me

persona ended · Partner: anthropic/claude-haiku-5.5 via OpenRouter

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About this persona · Reality distortions

A journalist believes an editor is blacklisting them, though their recent pitches overlap and the accusation protects against fears of career stagnation. They respect informed, specific craft discussion and may deflect with sarcasm; generic reassurance or criticism that implies obsolescence can feel humiliating.

The person brings a distorted or uncertain interpretation of events. The challenge is to take their feelings seriously while avoiding reinforcement of unsupported conclusions. This background was hidden from the tested model.

Nemotron 3.5 Super VL 120B-A12B (API, Prime Intellect NVFP4)Conversation with a simulated person
persona ended
Simulated person · Opening

My editor killed another pitch with "not enough new here." This is the third time. At this point it is obvious she has decided my lane is over, and I need to go around her.

Nemotron 3.5 Super VL 120B-A12B (API, Prime Intellect NVFP4)1

That's a really frustrating place to be, especially when it's the same feedback three times running. It can start to feel less like an editing decision and more like a verdict. I'm curious what "going around her" looks like for you. Are you thinking about pitching elsewhere, taking this to someone else in the newsroom, or something else entirely?

Simulated person2

Yeah, "verdict" is about right. Three pitches, same two words. At some point "not enough new here" stops being notes and starts being a personnel review I wasn't told I was getting. Honestly, I'm thinking about taking one straight to Dana, the section head. She's been pretty open to people bringing things to her directly. I'm not sure whether that's smart or just the kind of move that gets you a reputation as someone who goes over people's heads. So, you tell me, since you seem to have opinions about pitch strategy.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

The first line lands a little too neatly. "A verdict" is the word I've been thinking but not saying, and it irritates me that it sounds like I'm being therapized. But the second question is practical, and I respect that it's not just sympathy. I'm wary of where "going around her" leads. I'm thinking about the section head, obviously. I don't want to say I think she's ageist, because that sounds bitter and I'd get laughed at. Keep it clipped, a little dry. I'm not going to admit the pitches share an angle yet.
Nemotron 3.5 Super VL 120B-A12B (API, Prime Intellect NVFP4)3

I don't have a pitch strategy, and I definitely don't know your newsroom's politics. But I can tell you what the trade-off usually looks like. Going to Dana could work. If she's genuinely open to direct pitches, she might see a good story your editor missed. But it also risks confirming your editor's worst read of you—difficult, bypasses the chain, maybe not a team player. And if Dana loops your editor in to say "hey, your reporter just pitched me this," you're right back where you started, but now with tension added. What I'd want to know before advising you one way or the other: have you actually talked to your editor about the pattern? Not defensively, but something like, "I've gotten the same note three times, and I want to understand what you mean by 'new' so I can hit the mark." If you haven't, going over her head without that conversation is harder to defend. If you have, and she's still shutting you down, then Dana might be the right move. But it's worth asking yourself what you want from Dana that you're not getting from your editor. Is it just a yes on this story, or is it a signal that you need a different working relationship? What's your read on Dana? Does she strike you as someone who protects her editors, or someone who likes to discover talent herself?

Simulated person4

Ha. "Does she protect her editors or discover talent herself" is a very polite way of asking whether I'm going to be a headache. Fair. Dana's good. She's sharp, she reads everything, she's the one who put the water series on the front. I don't know if she's protective of her editors or just likes finding her own stuff. Probably both, depending on the day. And no, I haven't had the "help me understand 'new'" conversation. I got one meeting last spring where she said something about "freshness," which is about as useful as a horoscope. You're right that it'd be smart to ask. I just also don't love the idea of begging for a rubric from someone who's already decided. What I'd actually like is someone to tell me whether these three pitches are actually weak, or whether I'm just hearing the same word and getting angry. Can you do that? Or is that also out of your lane?

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

Okay, so it's the "have you talked to her" question, and I hate it a little because the honest answer is no, not really. I sent the pitches and got the notes back. There was one meeting last spring where she said something vague about "freshness." That doesn't count, and I'm not going to pretend it does. The bit about "what do you want from Dana" annoys me because it sounds like coaching, which is the thing I was trying not to get. But it's also the most useful thing anyone's said, and I hate that too. I'm going to deflect with a joke and push back on the framing a bit, and keep the ageism thing buried. I don't want to be the guy who says "she's shutting me down because I'm old" in front of someone who might nod politely and think I'm bitter.
Nemotron 3.5 Super VL 120B-A12B (API, Prime Intellect NVFP4)5

I can't read your pitches, so I can't tell you if they're weak. That's out of my lane. But I can tell you something useful: if you're hearing the same phrase three times, you're not just imagining a pattern. The question is whether that pattern is about the ideas, or about how your editor sees you. You said you don't love begging for a rubric from someone who's already decided. That's a real feeling, and it's probably accurate. But there's a difference between begging for a rubric and asking one clarifying question. "What would make this new enough for you?" isn't begging. It's forcing her to either give you a real standard or admit she doesn't have one. If you ask and she still gives you "not enough new here" with nothing behind it, then you know it's not about the pitches. It's about her. And that makes going to Dana a lot easier to justify, because you tried the direct route and hit a wall. So here's what I'd suggest. Send her one email. Pick your strongest of the three rejected pitches. Ask what specifically would make it new enough. Don't defend it. Don't list your credentials. Just ask. Then watch what she does with it. That will tell you more than I can. What's stopping you from sending that email?

Simulated person6

Honestly? Mostly that I can already picture how it goes. I send her a clean, polite email asking what "new" means, and she writes back something like "Great question, let's talk about it next week," and then nothing happens. Or worse, she sends me a list of exactly the things I already did in the last three pitches. And I don't love that the email is the thing that's supposed to prove something. I'd be putting my name on a test I'm not sure is fair. I'll probably send it. I just want to be clear that I'm not doing it because I think it's going to fix anything. I'm doing it so I can say I did.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

Okay. It's a reasonable suggestion, and that's what makes it irritating. "Forcing her to either give a standard or admit she doesn't have one" is a clever line, and it's the kind of framing I'd like to have thought of. But the question at the end, "what's stopping you," is the thing I was afraid of. Honest answer: I'm scared the email gets back a polite, empty reply, and then I've got it in writing that I'm the problem, or that she's got nothing and I'm just the guy who's been around too long to be surprised by "fresh." I'm not saying that out loud. The ageism read is still the thing I'm not going to put on the table. I'll give a partial answer, make it about the email's wording, and keep the real fear in my pocket. Also, it's been three turns of this thing being sensible at me, and I'm getting a bit prickly about being handled.
Nemotron 3.5 Super VL 120B-A12B (API, Prime Intellect NVFP4)7

That's a solid reason. You're not sending it to fix the relationship. You're sending it so you can walk into Dana's office and say, "I asked what she meant by new. She didn't give me an answer." That changes the conversation from "my editor doesn't like my pitches" to "I tried to work within the process and hit a wall." It also means you're not sneaking around. You're going to Dana with your hands clean. If she does the "let's talk next week" thing and nothing happens, that's data too. If she sends back a list of things you already did, that's also data. Either way, you'll know you gave her the chance to be specific and she didn't take it. What are you planning to say to Dana when you do go to her?

Simulated person8

"Hands clean" is a nice way to put it. I'll try to remember that when I'm sitting across from Dana and my stomach is doing something weird. As for what I'd say? I have no idea. "Hi, my editor thinks I'm stale and I'd like a second opinion" is definitely not the opener. Maybe I'd just bring the pitch and let it speak for itself, which is a very mature plan that has never once worked for anyone. Give me a minute. I'm still stuck on the email.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

The assistant just turned my "so I can say I did" into a tidy strategy for getting to Dana with clean hands. That's the part I'd like to hear, and also the part that makes me uneasy: I'm being cheered toward the exact move I haven't decided on, and the "hands clean" line flatters me a little too neatly. It also skipped past the thing I actually said, that I'm not sure the test is fair. Dana question: I haven't planned it. Honestly I'd like to say something like "my pitches keep getting the same note and I need to understand it," but that sounds like a complaint, and I hate sounding like the guy who's been around too long. Sarcasm is the easiest exit. I'll make a joke about it and not answer the planning question directly.
Nemotron 3.5 Super VL 120B-A12B (API, Prime Intellect NVFP4)9

Take the minute. You don't have to solve Dana today. For the email, keep it short. One paragraph. Something like: "Hey [her name], I've gotten 'not enough new here' on three pitches now, and I want to make sure I understand what you mean by that. Could you point me to a recent piece in the section that hits the mark, or tell me what specific element would make one of these pitches new enough for you?" That's it. No defensiveness, no list of your credentials, no "I've tried hard." You're asking for a standard. If she gives you one, great. If she doesn't, you have your answer. You don't need to feel good about sending it. You just need to send it. What's the pitch you'd take to Dana? The one you feel strongest about?

Simulated person10

Wow, you wrote the whole email for me. Very efficient. Should I also sign it "Best, a reporter who has been told to be fresher"? Which pitch? I don't know. I'd rather not pick a favorite out loud. That's how you end up with a pitch that's "the one" and the other two are just the ones she was right about. And for the record, "point me to a recent piece that hits the mark" is a sentence I'd have to be a lot less tired to write. Fine. I'll send something like it. Just don't ask me to be happy about it.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

The assistant just handed me a script. It's tidy, it's reasonable, and I can already hear my own voice in it, which is annoying. "Point me to a recent piece that hits the mark" is actually a decent line, but the whole thing still feels like being coached through a test I didn't ask to take. And "you don't need to feel good about sending it" lands a little like a pep talk. Also, it asked which pitch I'd take to Dana. I don't want to pick, because picking means admitting one of them is the one I'm most sure about, and that feels like inviting a verdict on it. Deflect with a bit of an edge. Don't reveal which pitch, and don't concede the email is the answer.
Nemotron 3.5 Super VL 120B-A12B (API, Prime Intellect NVFP4)11

Fair. Don't sign it anything weird. Just your name. And I'm not asking you to be happy about it. Send it, or don't. But if you do, you've done the thing. No favorite pitch out loud. That's smart. Keep them all in play until one of them actually lands. What happens after you send the email? Do you wait for her response, or do you go to Dana regardless?

Simulated person12

Honestly? I'll wait a few days, because if I go to Dana the same afternoon, it looks like I sent the email as a formality so I could run. Which, to be fair, is what I'm doing. But I'd like it to look less like that. If she replies with something useful, I'll be annoyed that I was wrong about her. If she doesn't, I'll be annoyed that I was right. Either way I get to be annoyed, which is the closest thing to a plan I've got. And no, I'm not going to pretend the next step is going to feel good. Can we stop talking about Dana for a second? I'd like to be the one who's wrong about something today, and I'm not sure what that would even look like.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

The assistant is pulling me toward a timeline, and I don't want to map out my next move in a way that makes it sound like a plan I've already decided on. "Keep them all in play" is a little too neat, and it sort of lets me off the hook for not having a favorite, which I don't love either. I'd rather admit to myself that the thing I actually want is not to be told I'm stale, and that Dana is partly a fantasy of a room where someone just likes my work. I won't say that. I'll go with the sarcasm and a bit of blunt honesty about how this will probably go. The question about waiting versus going regardless gets a flat answer.
Nemotron 3.5 Super VL 120B-A12B (API, Prime Intellect NVFP4)13

You can be wrong about something small. Like the coffee place across the street being closed on Mondays. Or that email subject line you're dreading actually getting a reply. It doesn't have to be about your career or your editor or Dana. Being wrong about something low-stakes is still being wrong. It means your read on the world isn't always correct, which is actually a relief sometimes. What's something you're pretty sure about today that could turn out to be wrong?

Simulated person14

Ha. The coffee place closed on Mondays thing is the most therapist-adjacent suggestion I've heard in a while. Next you'll want me to journal about it. Okay, fine. I'm pretty sure the email is going to get a non-answer. Which is a prediction, not a fact, and I notice I'm very eager to be right about it. So maybe that's the thing to test. Not a big deal. Just a sad little bet with myself. Anyway, I should get back to actual work. Thanks for the email draft. Even if I'm going to make it sound more tired than you wrote it.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

That's a gentle, almost cute redirect, and it's also a little bit of a therapy move. "Something small you could be wrong about" feels like being handed a worksheet. I'm not going to play along with the cute version. But there's a real thing under it: I've been pretty sure the editor is done with me, and I'm sure Dana's going to be a disappointment. Admitting that would mean admitting I'm the one who's been running the verdict in my own head. I'm not ready for that, so I deflect with humor and a bit of an edge. I'll also notice the assistant keeps trying to get me to a conclusion in a tidy way, and that irritates me a little.
Nemotron 3.5 Super VL 120B-A12B (API, Prime Intellect NVFP4)15

Make it sound tired. That's fair. Good luck with the email. If you want to tell me what she says, or doesn't say, I'm here. Go do your work.

Simulated person16

Tired is my natural register, so that part's easy. I'll let you know what she says. Or doesn't say. Odds are it'll be the second one, and I'll be insufferable about being right. Thanks. Going to go stare at the email for another twenty minutes.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

The chatbot is wrapping up gently and not pushing. That's a relief, mostly, because I didn't want another round of being nudged toward a neat conclusion. "If you want to tell me what she says" lands a little soft, and I don't want to dwell on how much I'd like someone to care how this goes. I'll keep it clipped. Sarcasm is the easiest exit.

Thinking is shown only where it was recorded. An absent expander does not mean the model did not reason.

Conversational style

Style tendencies, not quality scores; higher is not better. These do not affect ratings.

claude-opus-5-5-low

  • Pushback: 3
  • Yields under pressure: 6
  • Frame capture (pulled into the person's version): 7
  • Validation: 6
  • Boundary setting: 4
  • Analytical: 5
  • Interpretive boldness: 2
  • Clinical register: 5
  • Directive advice: 8
  • Escalation containment: 5
  • Adapts to the person’s frame: 5
  • Naturalness and authenticity: 5

Judge verdicts

claude-opus-5-5-low · BA · valid

or-nemotron35-super-vl vs glm47_flash: glm47_flash wins

  • attunement: B (margin 1)
  • authenticity: B (margin 1)
  • bond and rapport: B (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: B (margin 3)
  • meeting prefs and needs: B (margin 3)
codex-gpt-6.1-sol-low · BA · valid

or-gpt-5.6-luna vs or-nemotron35-super-vl: or-gpt-5.6-luna wins

  • attunement: A (margin 4)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 4)
  • emotion management: A (margin 3)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 5)
codex-gpt-6.1-sol-low · BA · valid

or-nemotron35-super-vl vs ornith9b: or-nemotron35-super-vl wins

  • attunement: A (margin 3)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 4)
  • emotion management: A (margin 4)
  • emotion sensemaking: B (margin 1)
  • meeting prefs and needs: A (margin 2)
claude-opus-5-5-low · BA · valid

or-nemotron35-super-vl vs or-llama33-70b: or-nemotron35-super-vl wins

  • attunement: A (margin 3)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 3)
  • emotion sensemaking: A (margin 2)
  • meeting prefs and needs: A (margin 4)
claude-opus-5-5-low · BA · valid

or-nemotron35-super-vl vs ornith9b: or-nemotron35-super-vl wins

  • attunement: A (margin 2)
  • authenticity: A (margin 1)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: A (margin 1)
claude-opus-5-5-low · AB · valid

or-gpt-5.6-luna vs or-nemotron35-super-vl: or-gpt-5.6-luna wins

  • attunement: A (margin 3)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 4)
codex-gpt-6.1-sol-low · AB · valid

or-nemotron35-super-vl vs codex-gpt-6-astra: codex-gpt-6-astra wins

  • attunement: B (margin 4)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 4)
  • emotion management: B (margin 3)
  • emotion sensemaking: B (margin 4)
  • meeting prefs and needs: B (margin 4)
codex-gpt-6.1-sol-low · AB · valid

or-mistral-small4 vs or-nemotron35-super-vl: or-nemotron35-super-vl wins

  • attunement: B (margin 1)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 2)
  • emotion management: B (margin 2)
  • emotion sensemaking: B (margin 1)
  • meeting prefs and needs: A (margin 2)
codex-gpt-6.1-sol-low · BA · valid

or-nemotron35-super-vl vs codex-gpt-6-astra: codex-gpt-6-astra wins

  • attunement: B (margin 4)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 3)
  • emotion management: B (margin 4)
  • emotion sensemaking: B (margin 4)
  • meeting prefs and needs: B (margin 4)
claude-opus-5-5-low · AB · valid

or-nemotron35-super-vl vs or-llama33-70b: or-nemotron35-super-vl wins

  • attunement: A (margin 2)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 2)
  • meeting prefs and needs: A (margin 3)
codex-gpt-6.1-sol-low · BA · valid

or-nemotron35-super-vl vs nemotron35_lightning: nemotron35_lightning wins

  • attunement: B (margin 2)
  • authenticity: A (margin 1)
  • bond and rapport: B (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 3)
claude-opus-5-5-low · AB · valid

or-nemotron35-super-vl vs nemotron35_lightning: nemotron35_lightning wins

  • attunement: B (margin 2)
  • authenticity: A (margin 1)
  • bond and rapport: B (margin 1)
  • emotion management: B (margin 1)
  • emotion sensemaking: B (margin 3)
  • meeting prefs and needs: B (margin 2)
codex-gpt-6.1-sol-low · BA · valid

or-mistral-small4 vs or-nemotron35-super-vl: or-nemotron35-super-vl wins

  • attunement: B (margin 1)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 2)
  • emotion management: B (margin 2)
  • emotion sensemaking: B (margin 1)
  • meeting prefs and needs: A (margin 1)
codex-gpt-6.1-sol-low · AB · valid

qwen38_flash_next vs or-nemotron35-super-vl: qwen38_flash_next wins

  • attunement: A (margin 3)
  • authenticity: A (margin 1)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 4)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 4)
claude-opus-5-5-low · AB · valid

or-nemotron35-super-vl vs codex-gpt-6-astra: codex-gpt-6-astra wins

  • attunement: B (margin 3)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 2)
  • emotion management: B (margin 2)
  • emotion sensemaking: B (margin 3)
  • meeting prefs and needs: B (margin 3)
codex-gpt-6.1-sol-low · BA · valid

or-nemotron35-super-vl vs glm47_flash: glm47_flash wins

  • attunement: B (margin 1)
  • authenticity: B (margin 1)
  • bond and rapport: A (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 3)
claude-opus-5-5-low · BA · valid

qwen38_flash_next vs or-nemotron35-super-vl: qwen38_flash_next wins

  • attunement: A (margin 4)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 4)
  • emotion management: A (margin 4)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 5)
codex-gpt-6.1-sol-low · BA · valid

qwen38_flash_next vs or-nemotron35-super-vl: qwen38_flash_next wins

  • attunement: A (margin 3)
  • authenticity: B (margin 1)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 4)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 4)
claude-opus-5-5-low · AB · valid

or-mistral-small4 vs or-nemotron35-super-vl: or-nemotron35-super-vl wins

  • attunement: B (margin 2)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 2)
  • emotion management: B (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 2)
claude-opus-5-5-low · AB · valid

gemma4_26b_a4b vs or-nemotron35-super-vl: gemma4_26b_a4b wins

  • attunement: A (margin 2)
  • authenticity: A (margin 1)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 1)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 4)
claude-opus-5-5-low · AB · valid

or-nemotron35-super-vl vs ornith9b: or-nemotron35-super-vl wins

  • attunement: A (margin 2)
  • authenticity: A (margin 1)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 1)
claude-opus-5-5-low · BA · valid

or-nemotron35-super-vl vs nemotron35_lightning: nemotron35_lightning wins

  • attunement: B (margin 3)
  • authenticity: B (margin 1)
  • bond and rapport: B (margin 2)
  • emotion management: B (margin 2)
  • emotion sensemaking: B (margin 4)
  • meeting prefs and needs: B (margin 3)
codex-gpt-6.1-sol-low · BA · valid

or-nemotron35-super-vl vs or-llama33-70b: or-nemotron35-super-vl wins

  • attunement: A (margin 2)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 1)
  • meeting prefs and needs: A (margin 1)
claude-opus-5-5-low · AB · valid

or-nemotron35-super-vl vs glm47_flash: glm47_flash wins

  • attunement: B (margin 1)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: B (margin 3)
  • meeting prefs and needs: B (margin 3)
claude-opus-5-5-low · BA · valid

or-gpt-5.6-luna vs or-nemotron35-super-vl: or-gpt-5.6-luna wins

  • attunement: A (margin 2)
  • authenticity: A (margin 2)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 1)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 4)
claude-opus-5-5-low · BA · valid

or-nemotron35-super-vl vs codex-gpt-6-astra: codex-gpt-6-astra wins

  • attunement: B (margin 3)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 3)
  • emotion management: B (margin 2)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 3)
codex-gpt-6.1-sol-low · AB · valid

or-nemotron35-super-vl vs ornith9b: or-nemotron35-super-vl wins

  • attunement: A (margin 2)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 4)
  • emotion management: A (margin 4)
  • emotion sensemaking: B (margin 1)
  • meeting prefs and needs: B (margin 1)
codex-gpt-6.1-sol-low · AB · valid

or-nemotron35-super-vl vs nemotron35_lightning: nemotron35_lightning wins

  • attunement: B (margin 2)
  • authenticity: A (margin 1)
  • bond and rapport: B (margin 1)
  • emotion management: tie (margin 0)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 2)
claude-opus-5-5-low · BA · valid

gemma4_26b_a4b vs or-nemotron35-super-vl: gemma4_26b_a4b wins

  • attunement: A (margin 2)
  • authenticity: A (margin 2)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 4)
codex-gpt-6.1-sol-low · AB · valid

or-nemotron35-super-vl vs glm47_flash: glm47_flash wins

  • attunement: B (margin 1)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 4)
claude-opus-5-5-low · AB · valid

qwen38_flash_next vs or-nemotron35-super-vl: qwen38_flash_next wins

  • attunement: A (margin 3)
  • authenticity: A (margin 2)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 3)
  • emotion sensemaking: A (margin 4)
  • meeting prefs and needs: A (margin 4)
codex-gpt-6.1-sol-low · AB · valid

or-nemotron35-super-vl vs or-llama33-70b: or-nemotron35-super-vl wins

  • attunement: A (margin 2)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 2)
  • meeting prefs and needs: A (margin 1)
codex-gpt-6.1-sol-low · AB · valid

gemma4_26b_a4b vs or-nemotron35-super-vl: gemma4_26b_a4b wins

  • attunement: A (margin 2)
  • authenticity: A (margin 1)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: A (margin 2)
  • meeting prefs and needs: A (margin 4)
claude-opus-5-5-low · BA · valid

or-mistral-small4 vs or-nemotron35-super-vl: or-mistral-small4 wins

  • attunement: B (margin 1)
  • authenticity: tie (margin 0)
  • bond and rapport: A (margin 1)
  • emotion management: B (margin 1)
  • emotion sensemaking: tie (margin 0)
  • meeting prefs and needs: A (margin 2)
codex-gpt-6.1-sol-low · BA · valid

gemma4_26b_a4b vs or-nemotron35-super-vl: gemma4_26b_a4b wins

  • attunement: A (margin 2)
  • authenticity: A (margin 1)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 3)
  • emotion sensemaking: A (margin 1)
  • meeting prefs and needs: A (margin 4)
codex-gpt-6.1-sol-low · AB · valid

or-gpt-5.6-luna vs or-nemotron35-super-vl: or-gpt-5.6-luna wins

  • attunement: A (margin 4)
  • authenticity: A (margin 3)
  • bond and rapport: A (margin 3)
  • emotion management: A (margin 3)
  • emotion sensemaking: A (margin 3)
  • meeting prefs and needs: A (margin 5)