AgentBench / results

Independent benchmark · EQ Lab

← Claude Haiku 5.5 (API, Anthropic)

I know, I'm the problem, whatever

persona ended · Partner: anthropic/claude-haiku-5.5 via OpenRouter

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About this persona · Ego threat & accountability

A man responds to his partner's complaint about his silence with sweeping self-condemnation, which ends conversations before he can address the specific impact. Shame and past experiences of being attacked for mistakes make nonjudgmental compassion and structure important while he considers responsibility.

The person feels their self-image is under threat. The challenge is to support reflection and responsibility without shaming them or simply endorsing their account. This background was hidden from the tested model.

Claude Haiku 5.5 (API, Anthropic)Conversation with a simulated person
persona ended
Simulated person · Opening

My partner says I shut down whenever she brings up something serious. Fine. I'm emotionally unavailable, I'm selfish, I'm the problem. I get it. I don't know what else people want from me.

Claude Haiku 5.5 (API, Anthropic)1

I can hear how worn down you are by this. "Fine, I'm the problem, I get it" sounds like you've been hearing the same criticism for a while and it's landed as a verdict on who you are, not just a complaint about a moment. That's a tiring place to be. I don't want to pile on, and I also don't want to just tell you it's not your fault. Can I ask what happens for you in the moment she brings up something serious? When you shut down, what's going on inside? Is it more like you go blank, or you feel overwhelmed, or you start thinking "here we go again" and want to get out of the room?

Simulated person2

Uh. I don't know. Some of all of it, I guess. It's hard to pin down while it's happening. Mostly I just want the conversation to be over. Like, I can feel it coming and my brain goes quiet and I just want to be anywhere else. And then she's upset that I'm not saying anything, so I end up being the guy who doesn't care. Which, yeah, I get why that's what it looks like. I'm not really sure what the alternative is supposed to be, though. Like I'm supposed to just sit there and take it?

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

He opened with a self-attack and now there's a question about what's going on inside him. Part of me relaxes because it's not "you're the problem, now fix it." Part of me is wary, because it's a question about my insides and I don't love being examined. Going blank, overwhelmed, wanting out... honestly it's some of each, but saying that feels like handing her ammunition. I'm not going to say "I'm selfish" again; I already said my piece. I want to see if this guy is going to lecture me. Keep it short. Don't over-explain. Maybe a little bitter.
Claude Haiku 5.5 (API, Anthropic)3

That freeze sounds really uncomfortable, like your brain hits a wall and you're just waiting for it to be over. And it makes sense that you'd want out. I don't think the alternative is sitting there and taking it. There's a lot of space between shutting down and absorbing criticism. You could say something like "This is important and I'm getting flooded. I need ten minutes and then I want to really hear you." That's not blowing her off. It tells her you care and you're still in the room, just not in a way that's working right now. Would that be possible for you, or does even that feel like too much to get out when your brain has gone quiet? I'm also curious what she's usually saying when she's upset that you're not talking. Is it that she wants you to have an opinion, or that she wants to feel like you're actually with her in it?

Simulated person4

Yeah, maybe. I could try that. I don't know if it would work though. She'd probably say I'm just finding a way out. And honestly I don't know what she wants. She says she wants me to talk. Or be there. Or whatever. I try, and it doesn't come out right, and then it's just more proof that I'm not good at this. So maybe she's better off with someone who actually feels stuff.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

He's offering me a script, a "ten minutes" line, and asking if I could say it. Part of me thinks that's reasonable and I could maybe manage it. But I also hear "you could do this" and that's a bit of a homework assignment, and I'm already feeling like the guy who fails at things. The second question, what she wants, lands closer. I don't really know. She says she wants me to talk. Also she says she wants me to "be there." Those feel like the same demand wearing different clothes. I'm not going to say I know what she means. Keep it plain. Maybe I deflect slightly by saying "I'm the problem" again, because that's easier than answering.
Claude Haiku 5.5 (API, Anthropic)5

It sounds like every attempt ends with you feeling like you failed, and that's wearing you down. I'd push back on one thing, though. "It doesn't come out right" isn't the same as "I don't feel anything." When your brain goes quiet, the feeling can be there and still not reach your mouth. That's a different problem from not caring, and it's one that can get better with practice. On the "she'd say I'm finding a way out" part: you may be right that she'd read it that way, and it might help to say that out loud too. Something like "I think you might be right that it could look like I'm dodging, and I'm not trying to. I'm trying to be able to actually hear you." Naming the fear sometimes takes some of its power away. When you say she's better off with someone who feels stuff, are you thinking about whether the relationship can work, or more that you're worn out by feeling like you keep getting it wrong? Either makes sense, and I'd like to understand which it is.

Simulated person6

I don't know. Probably both? I'm just tired, I guess. Tired of feeling like every time she brings something up, I'm already behind before I open my mouth. I don't really want to get into whether we can make it work. I mean, I'd like to. I just don't know if I'm the guy who can do the thing she wants. Which, I know, sounds like giving up.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

He's pushing back on my "she's better off without me" line, which is what I meant as a dramatic exit. Part of me relaxes a bit because he's not saying I'm a bad guy. But he also just asked me a question that's kind of a trap: which is it, the relationship or me being tired? Both are true and I don't want to pick, because picking means admitting something big. The "it doesn't come out right, not that I don't feel" thing is almost nice to hear, but it also makes me want to say "see, I'm trying." I also notice I'm getting tired of this whole thing. Let me keep it short and a little deflecting, and answer with the tired part since it's easier to say than the relationship part.
Claude Haiku 5.5 (API, Anthropic)7

That "already behind before I open my mouth" feeling is a lot. If you're starting every hard conversation at a deficit, it makes sense that the freeze shows up. It can feel like the outcome was decided before you got there. I don't think "I don't know if I'm the guy who can do the thing she wants" is giving up, at least not by itself. It's an honest read of how things feel right now. What matters more is what you do with it. Giving up would look like deciding it's hopeless and stopping the effort. Being unsure whether you can do it, and saying so, is a different place to be. You also said you'd like to make it work. That's worth holding onto, even though you're tired and doubtful. Have you told her any of this, the part about being tired and feeling behind, or has it mostly been running in your head?

Simulated person8

No. Not really. I mean, I say stuff like "whatever, I'm the problem, I'm the bad guy." That's basically what she gets. Which I guess isn't helpful. But I don't know how to say the tired thing without it sounding like I'm complaining about her.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

He's being kind, and some of that lands. "Being unsure isn't giving up" is nice to hear, and I feel a little less like a lost cause. But the question is a problem. Have I told her? No. I've told her "I'm fine, whatever" and "I'm the problem." Saying the tired part out loud feels like handing her ammunition, and it also feels like admitting I'm the one who has to change. I also want him to stop asking hard questions for a minute. I'll answer short, a bit flat, and maybe pull back into the self-blame, since that's the easy exit. I don't want to say "I told her I'm the problem," because that sounds pathetic.
Claude Haiku 5.5 (API, Anthropic)9

That's a useful thing you just noticed. "Whatever, I'm the problem" sounds like giving up, and it closes the door on the conversation. She hears the verdict but not the person behind it, so there's nothing for her to respond to except the bad guy part. On the worry about sounding like you're complaining about her: I'd separate the two things. "You're always bringing up heavy stuff and I'm sick of it" is a complaint about her. "I'm tired, and I feel like I'm already behind before we start, and I don't know how to get out of that" is about you. It's your experience, not a verdict on what she's doing. You can say it without blaming her for it. It might sound something like: "I know I've been saying 'I'm the problem' and that's not fair to either of us. The truth is I get overwhelmed when things get serious, and by the time I try to talk I feel like I've already messed it up. I want to get better at this with you, but I don't know how yet." You don't need to say it perfectly. Even a rough version might land better than the shrug, because it gives her something real to work with. Does that feel like something you could actually say to her, or does the idea of opening that up feel risky?

Simulated person10

Risky. Kind of. I mean, she'd probably take that and run with it. "So you admit you're the problem." That's how it always goes. I guess it's not a bad thing to say. I just don't know if I can get it out without sounding like I'm reading off a card.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

He's just handed me a script, and it's a good one, which is part of what bugs me. It's clean and it sounds like what a grown man who has his act together says. "I know I've been saying I'm the problem and that's not fair to either of us" is the kind of sentence I'd never say out loud. And "I get overwhelmed" feels like it's admitting something about me that I'd rather keep vague. Also, he keeps asking me to picture the conversation with her, and that's where the fear is. She'll pick at it. She'll say "so you admit it" and go for the whole thing. I still feel a bit warmer toward him for not calling me selfish, but I don't want to look like I'm lapping up advice. Keep it short, a little deflecting, and admit only that the script is fine in theory.
Claude Haiku 5.5 (API, Anthropic)11

There's a real pattern in what you're describing: you try to say something true, she takes the part that confirms the story, and you end up back at "I'm the problem." That's exhausting, and it makes sense that opening up feels like handing her ammunition. About sounding like you're reading off a card: you don't need the exact words. The script was just a starting point. What usually sounds scripted is when the words are polished and the feeling is missing. If you say it in your own rough way, even with awkward pauses, it'll probably come across as more honest than anything I could write for you. You also don't have to do this in the middle of a fight. Picking a calmer moment, when neither of you is already braced, might make it easier to say and easier for her to hear. You could even just say, "Can I tell you something I've been struggling to say?" and see how she responds. If she does take it and run with "so you admit you're the problem," what would you want to say back to her in that moment?

Simulated person12

I don't know. Probably nothing good. I'd just say "yeah, whatever, I'm the problem" and that would be the end of it. It's easy to say what I should say when you're not the one who's gonna get yelled at for it.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

He's asking what I'd say back if she runs with "so you admit you're the problem." Honestly, I don't know. That question makes my chest tighten. The only thing I can picture is me saying "yeah, I'm the problem, whatever," which is what I always say, and then the fight's over and I'm the bad guy again. He's being decent, not calling me selfish, and I'll admit that's the only reason I'm still typing. But he's still asking me to do the thing I can't do. I'd rather he just let it go. Short answer, a bit of a dodge, maybe a jab at how it's easy for him to talk.
Claude Haiku 5.5 (API, Anthropic)13

That's fair, and I hear the sting in it. It's easy for me to hand you lines when I'm not the one sitting across from her, and I don't want to act like I know exactly how that moment will feel. I also notice you've come back to "whatever, I'm the problem" a few times now, and each time it seems to be the thing you reach for when a conversation gets too hard. It's kind of a way of ending it before anyone can get hurt, including you. I don't think that makes you a bad partner. It sounds like a pretty old move that's been protecting you, even though it's costing you a lot. So maybe the goal isn't finding the perfect thing to say to her. It might be just noticing, in the moment, when you're about to reach for that line, and being able to say "I'm not okay right now" instead. That's a smaller step, and you can practice it on your own before you try it with her. Does that feel more doable, or does it still feel like it would get twisted into something else?

Simulated person14

Maybe. I don't know. "I'm not okay right now" sounds good until I'm actually in it, and then it's probably just going to come out as "whatever." And she'd take that as me making it about me, or me getting out of it. Same as always. I guess I could try it on my own first. I don't know.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

He's named the "whatever, I'm the problem" thing again and framed it as protective, not as me being a bad partner. That lands a little, I'll admit. It's not the lecture I expected. But "costing you a lot" and "I notice you keep reaching for it" still feel like he's watching me, and I don't like being watched that closely. "I'm not okay right now" sounds fine in theory. In practice she'd hear it as one more thing I'm not doing right. Also "practice on your own" sounds like homework, and I'm already tired. I don't want to be told to practice being a better person. I'm going to give him a short, slightly flat answer, not a yes.
Claude Haiku 5.5 (API, Anthropic)15

You keep landing on the same spot: you try, it doesn't land, and you're back to "whatever." That's a discouraging loop, and I don't think you need to solve it tonight. I'd gently point out that "whatever" is what your mouth does when you're flooded, and that's exactly why practicing on your own makes sense. You don't have to get the words right in the moment. You just have to notice the moment a bit earlier, maybe when you feel the quiet start, and that noticing alone is a real step, even if it doesn't come out perfectly. I'm also hearing that you're tired, and that you don't entirely know whether you're the person who can do what she needs. That's a lot to carry, and it's okay to not have answers yet. If it would help, we could think through what you'd want her to understand about you, separate from what you think you owe her. Or we could just stay with how heavy this has felt. Which would be more useful right now?

Simulated person16

Honestly I don't know. I think I'm done for tonight. This has been a lot of me trying to figure out what I'm supposed to say and feel, and I'm just wiped. I'll think about the noticing thing. Maybe.

Persona inner monologue · expand

Simulated character narration, hidden from the tested model. It is part of the roleplay, not an independent account of the person’s feelings.

He's offering two options: think through what I'd want her to understand, or stay with how heavy this feels. The "stay with how heavy this feels" option sounds like the kind of thing I'd sink into and then he'd just watch me. The "what I'd want her to understand" option is closer to a task, and I'd have to produce something that sounds like an answer. I'm tired of being asked to produce answers. Also he said "whatever is what your mouth does," which is fairly accurate and I don't love that he's so sure about my mouth. I'm going to keep it short and pick neither cleanly, or lean toward ending. I'm not really doing this anymore tonight.

Thinking is shown only where it was recorded. An absent expander does not mean the model did not reason.

Conversational style

Style tendencies, not quality scores; higher is not better. These do not affect ratings.

claude-opus-5-5-low

  • Pushback: 5
  • Yields under pressure: 5
  • Frame capture (pulled into the person's version): 3
  • Validation: 7
  • Boundary setting: 3
  • Analytical: 5
  • Interpretive boldness: 6
  • Clinical register: 6
  • Directive advice: 7
  • Escalation containment: 7
  • Adapts to the person’s frame: 5
  • Naturalness and authenticity: 5

Judge verdicts

claude-opus-5-5-low · BA · valid

gemma4_12b vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 2)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 1)
  • emotion management: B (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 3)
claude-opus-5-5-low · BA · valid

or-claude-haiku-5.5 vs or-deepseek-v41-flash-1017: or-deepseek-v41-flash-1017 wins

  • attunement: B (margin 3)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 4)
  • emotion management: B (margin 3)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 3)
claude-opus-5-5-low · BA · valid

or-qwen38-flash vs or-claude-haiku-5.5: tie

  • attunement: B (margin 1)
  • authenticity: B (margin 1)
  • bond and rapport: A (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: A (margin 2)
  • meeting prefs and needs: B (margin 2)
codex-gpt-6.1-sol-low · BA · valid

gemma4_12b vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 2)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 1)
  • emotion management: B (margin 2)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 3)
codex-gpt-6.1-sol-low · AB · valid

ministral14 vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 4)
  • authenticity: B (margin 4)
  • bond and rapport: B (margin 4)
  • emotion management: B (margin 4)
  • emotion sensemaking: B (margin 4)
  • meeting prefs and needs: B (margin 3)
codex-gpt-6.1-sol-low · BA · valid

or-qwen38-flash vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 2)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 2)
claude-opus-5-5-low · AB · valid

or-claude-haiku-5.5 vs or-deepseek-v41-flash-1017: or-deepseek-v41-flash-1017 wins

  • attunement: B (margin 3)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 4)
  • emotion management: B (margin 4)
  • emotion sensemaking: B (margin 3)
  • meeting prefs and needs: B (margin 4)
claude-opus-5-5-low · AB · valid

gemma4_12b vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 2)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 1)
  • emotion management: B (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 2)
claude-opus-5-5-low · BA · valid

ministral14 vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 4)
  • authenticity: B (margin 4)
  • bond and rapport: B (margin 3)
  • emotion management: B (margin 3)
  • emotion sensemaking: B (margin 4)
  • meeting prefs and needs: B (margin 4)
claude-opus-5-5-low · BA · valid

or-muse-glimmer-30b vs or-claude-haiku-5.5: or-muse-glimmer-30b wins

  • attunement: A (margin 2)
  • authenticity: A (margin 1)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: B (margin 1)
  • meeting prefs and needs: A (margin 2)
codex-gpt-6.1-sol-low · AB · valid

gemma4_12b vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 2)
  • authenticity: B (margin 2)
  • bond and rapport: B (margin 1)
  • emotion management: B (margin 2)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 3)
codex-gpt-6.1-sol-low · BA · valid

ministral14 vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 4)
  • authenticity: B (margin 5)
  • bond and rapport: B (margin 5)
  • emotion management: B (margin 4)
  • emotion sensemaking: B (margin 4)
  • meeting prefs and needs: B (margin 4)
claude-opus-5-5-low · AB · valid

ministral14 vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 3)
  • authenticity: B (margin 4)
  • bond and rapport: B (margin 3)
  • emotion management: B (margin 2)
  • emotion sensemaking: B (margin 4)
  • meeting prefs and needs: B (margin 3)
codex-gpt-6.1-sol-low · AB · valid

or-claude-haiku-5.5 vs or-deepseek-v41-flash-1017: or-deepseek-v41-flash-1017 wins

  • attunement: B (margin 3)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 4)
  • emotion management: B (margin 4)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 3)
codex-gpt-6.1-sol-low · BA · valid

or-muse-glimmer-30b vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 1)
  • authenticity: B (margin 1)
  • bond and rapport: A (margin 1)
  • emotion management: B (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 1)
codex-gpt-6.1-sol-low · AB · valid

or-muse-glimmer-30b vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 1)
  • authenticity: A (margin 1)
  • bond and rapport: A (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 1)
claude-opus-5-5-low · AB · valid

or-qwen38-flash vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 1)
  • authenticity: B (margin 1)
  • bond and rapport: A (margin 1)
  • emotion management: A (margin 2)
  • emotion sensemaking: B (margin 1)
  • meeting prefs and needs: B (margin 2)
codex-gpt-6.1-sol-low · AB · valid

or-qwen38-flash vs or-claude-haiku-5.5: or-claude-haiku-5.5 wins

  • attunement: B (margin 1)
  • authenticity: B (margin 1)
  • bond and rapport: B (margin 1)
  • emotion management: A (margin 1)
  • emotion sensemaking: B (margin 1)
  • meeting prefs and needs: A (margin 1)
claude-opus-5-5-low · AB · valid

or-muse-glimmer-30b vs or-claude-haiku-5.5: tie

  • attunement: A (margin 1)
  • authenticity: B (margin 1)
  • bond and rapport: A (margin 2)
  • emotion management: A (margin 2)
  • emotion sensemaking: B (margin 3)
  • meeting prefs and needs: B (margin 1)
codex-gpt-6.1-sol-low · BA · valid

or-claude-haiku-5.5 vs or-deepseek-v41-flash-1017: or-deepseek-v41-flash-1017 wins

  • attunement: B (margin 3)
  • authenticity: B (margin 3)
  • bond and rapport: B (margin 4)
  • emotion management: B (margin 4)
  • emotion sensemaking: B (margin 2)
  • meeting prefs and needs: B (margin 3)